57th Annual Grammy Award Winners

General

Record of the Year
Album of the Year
Song of the Year
Best New Artist

Pop

Best Pop Solo Performance
Best Pop Duo/Group Performance
Best Pop Vocal Album
Best Traditional Pop Vocal Album

Dance/Electronica

Best Dance Recording
Best Dance/Electronic Album

Contemporary Instrumental

Best Contemporary Instrumental Album

Rock

Best Rock Performance
Best Metal Performance
Best Rock Song
Best Rock Album

Alternative

Best Alternative Music Album

R&B

Best R&B Performance
Best Traditional R&B Performance
Best R&B Song
  • "Drunk in Love"
  • "Good Kisser"
    • Ronald “Flip” Colson, Warren “Oak” Felder, Usher Raymond IV, Jameel Roberts, Terry “Tru” Sneed & Andrew “Pop” Wansel, songwriters (Usher)
  • "New Flame"
    • Eric Bellinger, Chris Brown, James Chambers, Malissa Hunter, Justin Booth Johnson, Mark Pitts, Usher Raymond IV, William Roberts, Maurice "Verse" Simmonds & Keith Thomas, songwriters (Chris Brown FeaturingUsher & Rick Ross)
  • "Options (Wolfjames Version)"
    • Dominic Gordon, Brandon Hesson & Jamaica "Kahn-Cept" Smith, songwriters (Luke James)
  • "The Worst"
    • Jhené Aiko Chilombo, Mac Robinson & Brian Warfield, songwriter (Jhené Aiko)
Best Urban Contemporary Album
Best R&B Album

Rap

Best Rap Performance
Best Rap/Sung Collaboration
Best Rap Song
Best Rap Album

Country

Best Country Solo Performance
Best Country Duo/Group Performance
Best Country Song
Best Country Album

New Age

Best New Age Album
  • Winds of Samsara – Ricky Kej & Wouter Kellerman
  • Bhakti – Paul Avgerinos
  • Ritual – Peter Kater & R. Carlos Nakai
  • Symphony Live In Istanbul – Kitaro
  • In Love and Longing – Silvia Nakkach & David Darling

Jazz

Best Improvised Jazz Solo
Best Jazz Vocal Album
Best Jazz Instrumental Album
Best Large Jazz Ensemble Album
Best Latin Jazz Album
  • The Offense of the Drum – Arturo O'Farrill and the Afro Latin Jazz Orchestra
  • The Latin Side of Joe Henderson – Conrad Herwig featuring Joe Lovano
  • The Pedrito Martinez Group – Pedrito Martinez Group
  • Second Half – Emilio Solla y la Inestable de Brooklyn
  • New Throned King – Yosvany Terry

Gospel/Contemporary Christian

Best Gospel Performance/Song
Best Contemporary Christian Music Performance/Song
Best Gospel Album
Best Contemporary Christian Music Album
Best Roots Gospel Album

Latin

Best Latin Pop Album
Best Latin Rock Urban or Alternative Album
Best Regional Mexican Music Album (Including Tejano)
Best Tropical Latin Album

Americana Music

Best American Roots Performance
Best American Roots Song
Best Americana Album
Best Bluegrass Album
Best Blues Album
Best Folk Album
Best Regional Music Album
  • The Legacy – Jo-El Sonnier
  • Light the Stars – Bonsoir, Catin
  • Hanu 'A'ala – Kamaka Kukona
  • Love's Lies – Magnolia Sisters
  • Ceremony – Joe Tohonnie Jr.

Reggae

Best Reggae Album

World Music

Best World Music Album

Children's

Best Children's Album

Spoken Word

Best Spoken Word Album (Includes Poetry, Audio Books & Story Telling)

Comedy

Best Comedy Album

Musical Show

Best Musical Theater Album

Music for Visual Media

Best Compilation Soundtrack for Visual Media
Best Score Soundtrack for Visual Media
Best Song Written for Visual Media

Composing/Arranging

Best Instrumental Composition
Best Arrangement, Instrumental or a Cappella
  • "Daft Punk"
    • Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstie Maldonado & Kevin Olusola, arrangers (Pentatonix)
  • "Beautiful Dreamer"
    • Pete McGuinness, arranger (The Pete McGuinness Jazz Orchestra)
  • "Get Smart"
    • Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
  • "Guantanamera"
    • Alfredo Rodríguez, arranger (Alfredo Rodríguez)
  • "Moon River"
    • Chris Walden, arranger (Amy Dickson)
Best Instrumental Arrangement Accompanying Vocalist(s)
  • "New York Tendaberry"
    • Billy Childs, arranger (Billy Childs Featuring Renée Fleming & Yo-Yo Ma)
  • "All My Tomorrows"
    • Jeremy Fox, arranger (Jeremy Fox Featuring Kate McGarry)
  • "Goodnight America"
    • Vince Mendoza, arranger (Mary Chapin Carpenter)
  • "Party Rockers"
    • Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
  • "What Are You Doing The Rest Of Your Life?"
    • Pete McGuinness, arranger (The Pete McGuinness Jazz Orchestra)

Crafts

Best Recording Package
Best Boxed or Special Limited Edition Package
  • The Rise and Fall of Paramount Records, Volume One (1917–27)
    • Susan Archie, Dean Blackwood & Jack White, art directors (various artists)
  • Cities of Darkscorch
    • Leland Meiners & Ken Shipley, art directors (various artists)
  • A Letter Home (vinyl box set)
    • Gary Burden & Jenice Heo, art directors (Neil Young)
  • Sparks (deluxe album box set)
  • Spring 1990 (The Other One)
    • Jessica Dessner, Lisa Glines, Doran Tyson & Steve Vance, art directors (Grateful Dead)
Best Album Notes
  • Offering: Live At Temple University
    • Ashley Kahn, album notes writer (John Coltrane)
  • Happy: The 1920 Rainbo Orchestra Sides
    • David Sager, album notes writer (Isham Jones Rainbo Orchestra)
  • I'm Just Like You: Sly's Stone Flower 1969–70
    • Alec Palao, album notes writer (Various Artists)
  • 'The Other Side Of Bakersfield: 1950s & 60s Boppers And Rockers From 'Nashville West
    • Scott B. Bomar, album notes writer (Various Artists)
  • Purple Snow: Forecasting The Minneapolis Sound
    • Jon Kirby, album notes writer (Various Artists)
  • The Rise & Fall Of Paramount Records, Volume One (1917–27)
    • Scott Blackwood, album notes writer (Various Artists)
Best Historical Album
  • The Garden Spot Programs, 1950
    • Colin Escott & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Hank Williams)
  • Black Europe: The Sounds And Images Of Black People In Europe Pre-1927
    • Jeffrey Green, Ranier E. Lotz & Howard Rye, compilation producers; Christian Zwarg, mastering engineer (Various Artists)
  • Happy: The 1920 Rainbo Orchestra Sides
    • Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Isham Jones Rainbo Orchestra)
  • Longing For The Past: The 78 RPM Era In Southeast Asia
    • Steven Lance Ledbetter & David Murray, compilation producers; Michael Graves, mastering engineer (Various Artists)
  • There's A Dream I've Been Saving: Lee Hazlewood Industries 1966 – 1971 (Deluxe Edition)
    • Hunter Lea, Patrick McCarthy & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)

Production

Best Engineered Album, Non-Classical
  • Morning Phase
    • Tom Elmhirst, David Greenbaum, Florian Lagatta, Cole Marsden, Greif Neill, Robbie Nelson, Darrell Thorp, Cassidy Turbin & Joe Visciano, engineers; Bob Ludwig, mastering engineer (Beck)
  • Bass & Mandolin
    • Richard King & Dave Sinko, engineers; Robert C. Ludwig, mastering engineer (Chris Thile & Edgar Meyer)
  • Bluesamericana
    • Ross Hogarth & Casey Wasner, engineers; Richard Dodd, mastering engineer (Keb' Mo')
  • The Way I'm Livin'
    • Chuck Ainlay, engineer; Gavin Lurssen, mastering engineer (Lee Ann Womack)
  • What's Left Is Forever
    • Tchad Blake, Oyvind Jakobsen, Jo Ranheim, Itai Shapiro & David Way, engineers; Bernie Grundman, mastering engineer (Thomas Dybdahl)
Producer of the Year, Non-Classical
Best Remixed Recording, Non-Classical

Production, Surround Sound

Best Surround Sound Album
  • Beyoncé
    • Elliot Scheiner, surround mix engineer; Bob Ludwig, surround mastering engineer; Beyoncé Knowles, surround producer (Beyoncé)
  • Beppe: Remote Galaxy
    • Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Vladimir Ashkenazy & Philharmonia Orchestra)
  • Chamberland: The Berlin Remixes
    • David Miles Huber, surround mix engineer; David Miles Huber, surround mastering engineer; David Miles Huber, surround producer (David Miles Huber)
  • The Division Bell (20th Anniversary Deluxe Box Set)
    • Damon Iddins & Andy Jackson, surround mix engineers; Damon Iddins & Andy Jackson, surround mastering engineers (Pink Floyd)
  • Epics Of Love
    • Hans-Jörg Maucksch, surround mix engineer; Hans-Jörg Maucksch, surround mastering engineer; Günter Pauler, surround producer (Song Zuying, Yu Long & China Philharmonic Orchestra)
  • Mahler: Symphony No. 2 'Resurrection'
    • Michael Bishop, surround mix engineer; Michael Bishop, surround mastering engineer; Elaine Martone, surround producer (Benjamin Zander & Philharmonia Orchestra)

Production, Classical

Best Engineered Album, Classical
  • Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending
    • Michael Bishop, engineer; Michael Bishop, mastering engineer (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra & Chorus)
  • Adams, John: City Noir
    • Richard King, engineer; Wolfgang Schiefermair, mastering engineer (David Robertson & St. Louis Symphony)
  • Adams, John Luther: Become Ocean
    • Dmitriy Lipay & Nathaniel Reichman, engineers; Nathaniel Reichman, mastering engineer (Ludovic Morlot & Seattle Symphony)
  • Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time
    • Dmitriy Lipay, engineer; Dmitriy Lipay, mastering engineer (Ludovic Morlot & Seattle Symphony)
  • Riccardo Muti Conducts Mason Bates & Anna Clyne
    • David Frost & Christopher Willis, engineers; Tim Martyn, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
Producer of the Year, Classical
  • Judith Sherman
    • Beethoven: Cello & Piano Complete (Fischer Duo)
    • Brahms By Heart (Chiara String Quartet)
    • Composing America (Lark Quartet)
    • Divergence (Plattform K + K Vienna)
    • The Good Song (Thomas Meglioranza)
    • Mozart & Brahms: Clarinet Quintets (Anthony McGill & Pacifica Quartet)
    • Snapshot (American Brass Quintet)
    • Two X Four (Jaime Laredo, Jennifer Koh, Vinay Parameswaran & Curtis 20/21 Ensemble)
    • Wagner Without Words (Llŷr Williams)
  • Morten Lindberg
    • Beppe: Remote Galaxy (Vladimir Ashkenazy & Philharmonia Orchestra)
    • Dyrud: Out Of Darkness (Vivianne Sydnes & Nidaros Cathedral Choir)
    • Ja, Vi Elsker (Tone Bianca Sparre Dahl, Ingar Bergby, Staff Band Of The Norwegian Armed Forces & Schola Cantorum)
    • Symphonies Of Wind Instruments (Ingar Bergby & Royal Norwegian Navy Band)
  • Dmitriy Lipay
    • Adams, John Luther: Become Ocean (Ludovic Morlot & Seattle Symphony)
    • Dutilleux: Symphony No. 1; Tout Un Monde Lointain; The Shadows Of Time (Ludovic Morlot & Seattle Symphony)
    • Fauré: Masques Et Bergamasques; Pelléas Et Mélisande; Dolly (Ludovic Morlot, Seattle Symphony Chorale & Seattle Symphony)
    • Hindemith: Nobilissima Visione; Five Pieces For String Orchestra (Gerard Schwarz & Seattle Symphony)
    • Ives: Symphony No. 2; Carter: Instances; Gershwin: An American In Paris (Ludovic Morlot & Seattle Symphony)
    • Ravel: Orchestral Works; Saint-Saëns: Organ Symphony (Ludovic Morlot & Seattle Symphony)
  • Elaine Martone
    • Hallowed Ground (Louis Langrée, Maya Angelou, Nathan Wyatt & Cincinnati Symphony Orchestra)
    • Mahler: Symphony No. 2 'Resurrection' (Benjamin Zander, Stefan Bevier, Philharmonia Chorus & Orchestra)
    • Sibelius: Symphonies Nos. 6 & 7; Tapiola (Robert Spano & Atlanta Symphony Orchestra)
    • Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra & Chorus)
  • David Starobin
    • All The Things You Are (Leon Fleisher)
    • Complete Crumb Edition, Vol. 16 (Ann Crumb, Patrick Mason, James Freeman & Orchestra 2001)
    • Game Of Attrition – Arlene Sierra, Vol. 2 (Jac Van Steen & BBC National Orchestra Of Wales)
    • Haydn, Beethoven & Schubert (Gilbert Kalish)
    • Mozart: Piano Concertos, No. 12, K. 414 & No. 23, K. 488 (Marianna Shirinyan, Scott Yoo & Odense Symphony Orchestra)
    • Music Of Peter Lieberson, Vol. 3 (Scott Yoo, Roberto Diaz, Steven Beck & Odense Symphony Orchestra)
    • Rochberg, Chihara & Rorem (Jerome Lowenthal)
    • Tchaikovsky: The Tempest, Op. 18 & Piano Concerto No. 1, Op. 23 (Joyce Yang, Alexander Lazarev & Odense Symphony Orchestra)

Classical

Best Orchestral Performance
Best Opera Recording
Best Choral Performance
Performers who are not eligible for an award (such as orchestras, soloists or choirs) are mentioned in parentheses
  • The Sacred Spirit Of Russia
  • Bach: Matthäus-Passion
    • René Jacobs, conductor (Werner Güra & Johannes Weisser; Akademie Für Alte Musik Berlin; Rias Kammerchor & Staats-Und Domchor Berlin)
  • Dyrud: Out Of Darkness
    • Vivianne Sydnes, conductor (Erlend Aagaard Nilsen & Geir Morten Øien; Sarah Head & Lars Sitter; Nidaros Cathedral Choir)
  • Holst: First Choral Symphony; The Mystic Trumpeter
  • Mozart: Requiem Mass in D minor
    • John Butt (musician), conductor (Matthew Brook, Rowan Hellier, Thomas Hobbs & Joanne Lunn; Dunedin Consort)
Best Chamber Music/Small Ensemble Performance
Best Classical Instrumental Solo
Best Classical Solo Vocal Album
Best Classical Compendium
Best Contemporary Classical Composition
  • Adams, John Luther: Become Ocean
  • Clyne, Anna: Prince Of Clouds
    • Anna Clyne, composer (Jaime Laredo, Jennifer Koh, Vinay Parameswaran & Curtis 20/21 Ensemble)
  • Crumb, George: Voices From The Heartland
    • George Crumb, composer (Ann Crumb, Patrick Mason, James Freeman & Orchestra 2001)
  • Paulus, Stephen: Concerto For Two Trumpets & Band
    • Stephen Paulus, composer (Eric Berlin, Richard Kelley, James Patrick Miller & UMASS Wind Ensemble)
  • Sierra, Roberto: Sinfonía No. 4

Music Video/Film

Best Music Video
  • "Happy" – Pharrell Williams
    • We Are From LA, video director; Kathleen Heffernan, Roman Pichon Herrera, Jett Steiger & Cedric Troadec, video producers
  • "Chandelier" – Sia
    • Sia Furler & Daniel Askill, video directors; Jennifer Heath, video producer
  • "We Exist" – Arcade Fire
  • "Turn Down for What" – DJ Snake & Lil Jon
    • Daniel Kwan & Daniel Scheinert, video directors; Judy Craig, Jonathan Wang, Candance Ouaknine & Bryan Younce, video producers
  • "The Golden Age" – Woodkid feat. Max Richter
    • Chis Clayton & Yoann Lemoine, video director; Roman Pichon Herrera, Christine Miller, Susan Porche & Annabel Rosier, video producers
Best Music Film
  • 20 Feet From Stardom – Darlene Love, Merry Clayton, Lisa Fischer & Judith Hill
    • Morgan Neville, video director; Gil Friesen & Caitrin Rogers, video producers
  • Beyoncé & Jay Z: On The Run Tour – Beyoncé & Jay Z
    • Jonas Åkerlund, video director; Svana Gisla, video producer
  • Ghost Stories – Coldplay
    • Paul Dugdale, video director; Jim Parsons, video producer
  • Metallica Through The Never – Metallica
    • Nimród Antal, video director; Adam Ellison & Charlotte Huggins, video producers
  • The Truth About Love Tour: Live From Melbourne – Pink
    • Larn Poland, video director; Roger Davies, video producer

When The Sun Comes Down



Time to wake up
In every nation
Go feel the vibration
That takes me away

Me people stand up
To fight desperation
As we're raising, raising
Until the break of day

Hey

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun (like the sun)
So hold on

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun
So hold on

Right



Come share my dream
No facing, no fighting
Me love like deep shining
All that it way

Hey

Me people get off
To join this foundation
As we're raising, raising
Until the break of day

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun
So hold on

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun
So hold on

Come on down
And share all your dreams
The time has come
To gather the rainbow colors
Open up your heart you will see we can
Hold on, hold on

The road is clear
So gather all your friends around and
Take them one by one by the hand
To a peaceful, lovely place

Hurry up now!

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun
So hold on

I will lift you up
We can stir it up
Feel the love around
When the sun comes down

People give it up
'Cause we're rising up
Like the sun
So hold on...


Steppin' Out



Now
The mist across the window hides the lines 
But nothing hides the color of the lights that shine 
Electricity so fine 
Look and dry your eyes 

We
So tired of all the darkness in our lives 
With no more angry words to say 
Can come alive 
Get into a car and drive 
To the other side 

Me babe, steppin out 
Into the night 
Into the light 
You babe, steppin out 
Into the night 
Into the light 



We
Are young but getting old before our time 
We'll leave the T.V. and the radio behind 
Don't you wonder what we'll find 
Steppin' out tonight 

You 
Can dress in pink and blue just like a child 
And in a yellow taxi turn to me and smile 
We'll be there in just a while 
If you follow me 

Me babe, steppin' out 
Into the night 
Into the light 
You babe, steppin' out 
Into the night 
Into the light...


New England Patriots: Super Bowl XLIX Champions



GLENDALE, Ariz. -- Ten years removed from his last Super Bowl win, Tom Brady wasn't letting this one slip away.

Sure, the brilliant Brady needed a huge play by an undrafted rookie to preserve New England's 28-24 Super Bowl victory over Seattle on Sunday night. But Brady's imprint was all over the Patriots' sensational fourth-quarter rally for their fourth NFL championship of the Brady-Bill Belichick era.

"You know, whatever it takes," the record-setting Brady said after throwing for four touchdowns, including a 3-yarder to Julian Edelman with 2:02 remaining as New England rallied from a 10-point deficit. "Every team has a journey and a lot of people lost faith in us ... but we held strong, we held together, and it's a great feeling."

The Patriots (15-4) had to survive a last-ditch drive by the Seahawks (14-5), who got to the 1, helped by a spectacular juggling catch by Jermaine Kearse. Then Malcolm Butler stepped in front of Ricardo Lockette to pick off Russell Wilson's pass and complete one of the wildest Super Bowl finishes.

Brady leaped for joy on the Patriots sideline after Butler's first career interception.

"It wasn't the way we drew it up," said Brady, who won his third Super Bowl MVP award. "It was a lot of mental toughness. Our team has had it all year. We never doubted each other, so that's what it took."

Brady surpassed Joe Montana's mark of 11 Super Bowl touchdown passes with a 4-yarder to Danny Amendola to bring the Patriots within three points.

Seattle, seeking to become the first repeat NFL champion since New England a decade ago, was outplayed for the first half, yet tied at 14. The Seahawks scored the only 10 points of the third period, but the NFL-leading defense couldn't slow the brilliant Brady when it counted most.

"He's Tom Brady," Edelman said. "He's the greatest quarterback on the planet."

It didn't matter how much air was in the balls, Brady was unstoppable when the pressure was strongest. While pushing aside the controversy over air pressure in the footballs stemming from the AFC title game, the Patriots moved the ball easily in the final 12 minutes.

Seattle didn't quit -- it never does -- and Kearse's 33-yard catch with 1:06 remaining got it to the 5. Marshawn Lynch rushed for 4 yards, then backup cornerback Butler, who was victimized on Kearse's reception, made the biggest play of his first NFL season with 20 seconds remaining.

"I just had a vision that I was going to make a big play and it came true," Butler said. "I'm just blessed. I can't explain it right now. It's crazy."

Seahawks linebacker Bruce Irvin was ejected in the final seconds for instigating a near-brawl, delaying the celebration for the Patriots.

Soon they were mobbing one another on the same field where their 2007 unbeaten season was ruined in the Super Bowl by the Giants. They also fell to the Giants for the 2011 title.

But thanks to superstar Brady and the obscure Butler, they are champions again.

"Malcolm, what a play," Brady said. "I mean, for a rookie to make a play like that in a Super Bowl and win us the game, it was unbelievable."

Brady has equaled Montana with four Lombardi Trophies and three Super Bowl MVPs. He stands alone with 13 Super Bowl touchdown passes. He was 37 for 50 for 328 yards against the NFL's top-ranked defense.

He also was picked off twice; Brady was intercepted a total of two times in his previous five Super Bowls.

Yet, he picked apart the Seahawks on fourth-quarter drives of 68 and 64 yards, solidifying his championship legacy.

His heroics offset those of Chris Matthews, one of Seattle's least-used players before the postseason. Matthews recovered the onside kick that helped the Seahawks beat Green Bay in overtime for the NFC crown, and had a breakout performance Sunday.

Having never caught a pass in the NFL, Matthews grabbed four for 109 yards and a touchdown. Lynch ran for 102 yards, but didn't get the ball at the 1 on the decisive play -- a decision the Seahawks will rue forever.

"For it to come down to a play like that, I hate that we have to live with that," coach Pete Carroll said, "because we did everything right to win the football game."

The teams got down to football under the open retractable roof at University of Phoenix Stadium -- the first venue to host an indoor and an outdoor Super Bowl -- after dealing with distractions far beyond the typical Super Bowl hype. The Patriots are still being investigated for using under-inflated footballs in the AFC Championship Game.

It was a game of spurts by both teams before a crowd of 70,288 that was clearly pro-Seattle.

Jeremy Lane made the first big play to negate a nearly eight-minute drive by the Patriots with a leaping interception at the goal line late in the first quarter. Lane made his first pro interception, but left with a wrist injury after being tackled by Julian Edelman.

His replacement, Tharold Simon, got torched by Brady the rest of the way.

Wilson didn't get off a pass in the first quarter. When Brady completed his record 50th postseason TD throw, 11 yards to Brandon LaFell against Simon, it was 7-0.

Seattle went to its bench to help tie it.

Matthews' first career catch, a reaching 44-yarder over Kyle Arrington and by far the longest first-half play for Seattle, led to Lynch's bruising 3-yard TD run to make it 7-7.

But Brady to Rob Gronkowski made it 14-7 and seemed to finish off a dominant first half for the Patriots. Except no one told the resilient Seahawks.

A dormant offense turned dangerous in a span of 29 seconds, covering 80 yards in five plays, including a late gamble. Lockette caught a 23-yard pass and Arrington was flagged for a facemask, putting Seattle at the 10 with :06 remaining. Carroll went for it and the new Seahawks star, Matthews, grabbed Wilson's pass in the left corner of the end zone.

It was the most lopsided halftime tie imaginable.

Then Seattle stormed to a 24-14 lead in the third quarter on Steven Hauschka's 27-yard field goal and Doug Baldwin's 3-yard TD reception. New England was stumbling -- until Brady once again stepped up.

"I've been at it for 15 years and we've had a couple of tough losses in this game," Brady said. "This one came down to the end, and this time, we made the plays."

Copyright 2014 by The Associated Press

Australia: 2015 Asian Cup Champions



If ever there was a strong case for more government funding for major football tournaments and the game itself, it was made last night by those 23 warriors dressed in gold who delivered Australia its first major men's football trophy in emphatic fashion against a worthy opponent and in a manner in which the whole nation can feel immensely proud.

1. Congratulations to Ange Postecoglou and the Socceroos players. They did what was asked and in a manner Australia is justifiably proud of.

Korea Republic brought something extra out of the team, which is what finals are about. If we could be guaranteed the win, we would have voted for extra time because it is in the expenditure of every resource, the straining of every sinew that great achievements are forged. From the goal-saving tackles by 'Prince Massimo' in the first half and Matt Spiranovic late in the game, to the beautiful turn by Tomi, the match ebbed and flowed as only epic football matches can, and Australia was a match for the moment.

Well done. Your place in history is assured, everyone who contributed;
2. We have long argued the national team does not belong to the players, but the country and that they must represent the nation well. Two things stand out in this regard. First, the Socceroos played in that most emblematic of Australian ways, hard but fair. At the same time as imposing themselves physically against a superb Korean team, they also took the time to shake hands, to pick the opponents up off the ground and to demonstrate how it is that we play sport. Captain Mile Jedinak gets special mention here. Tough, but sporting.
Second, to see the team pouring forward at 2-1 in front late in extra time is what Australia wants. In fact, Korea lost the game when it sat back in the first part of extra time, having got the tieing goal. 
3. On this, hopefully the argument is now settled for good. Many have argued we could not attack. We were too old, not good enough, blah, blah, blah. We always could, we have, and the trophy stands as testament to what can be achieved. After ten years of debates and fights on the issue, let us never step backwards again. Only in approaching the game in a consistent and representative way can we continue to be tested, to learn, develop, improve and reach the holy grail;
4. Further, the last year should also put to rest the debate on results, at both senior and youth level. Yes, we love to win, but all our national youth teams are learning to play and the benefits of this will be long lasting. Like the Socceroos, the short-term pain will see long-term gain. Every coach must be accountable for the performances and development of the team, but the fixation on only results should be behind us, thank god;
5. Also, plenty have resisted a National Curriculum, understandably since Aussies don’t like to be told anything about sport, but we just won the Asian Cup with the Curriculum. High pressing, winning ball back as quickly as possible, effective possession of the ball (meaning playing forward where possible), the 1-4-3-3 system of play. It’s all there. Hopefully, arguments are now at an end and we can move on to improving the national plan with everyone on board. There is a massive amount of work to do. Without complete integration from top to bottom, we beat ourselves before we begin. 

6. I have already congratulated Football Federation Australia for the vision to bid for the event, and a special thankyou to Julia and the Gillard Government for support of the Asian Cup. Kevin Rudd supported the World Cup bid, another bold decision that deserves credit and, at a time when football was under the pump from other sports with intense, internal lobbying to cut off the funding streams, Julia committed to this tournament, as did state governments. Time moves quickly, and people forget, but thanks to you and Kevin;
7. I speak for no one but myself, however, as a former Socceroos player I am fairly certain that I can say there are more than 500 of my brothers standing side by side to congratulate today's team. Each generation wants the next to go further, and all fought tooth and nail for the game. To see Prince Massimo, Timmy Cahill who, fittingly, passed the baton on departure, and the rest on the podium will have been an emotional moment for everyone who has worn the nation's shirt;
8. It is great to see the blanket coverage across Australian media this morning and, with respect to Australian Open tennis champion Serena Williams, it is ideal that this achievement occurred on its own so that the moment can be properly experienced. Having appeared throughout the tournament on Channel 9, with the blessing of SBS, it is wonderful to see the genuine joy and pride that the crew and on air staff felt as general sports fans. Step by step, Australia has come to know the incredible emotional ride that football delivers and why it is the most loved sport around the world. Like Uruguay in 2005, this game tested everyone to their limit and more and more Aussies will support, attend and play the game as a result;
9. Importantly, our message to those that loved last night is that there's plenty more where that came from. The A-League is back this weekend, so adopt your local team and join the party. It will take you places you have never been;
10. As we celebrate, be sure to immediately lift your eyes again because the never-ending journey goes on. This is just one stop on the stairway to football heaven. It is necessary to conquer Asia to prove ourselves and have any chance of progressing long-term, since Asia's performances in World Cups is still problematic. Next we need to take steps forward on the global stage. It is fabulous to see the optimism from the whole country this morning, and long may it last, but this game is like none other. Winning the Asian Cup does not mean winning the World Cup. With respect, this is not rugby union or cricket, it is the world's largest and most competitive sport. This is why the ultimate goal is so worthy, the last great sporting frontier for Australia, because it is the greatest challenge we have ever faced. We will win in this half century, I reckon in twenty years, 2034 or 2038;
11. As for now, this win is a challenge to the Abbott Government. Gents, there is nothing that can add value to National identity or international branding like football and our requests and need for funding other major tournaments or parts of the game itself cannot be measured against other sports. We have the most participants, the biggest challenges and the most to offer this country. This Asian Cup has shown you that. We can accelerate progress with more funding as part of a National plan to be world champion, but it will take a visionary politician to bring it to life;
12. To all those in the stadium, thankyou. Like in '05, you helped enormously.
What's most important is that we are quickly building a culture where, certainly in these big moments, the fans know they are there to assist. This is becoming an incredibly difficult country to play in for any opponent. Let this continue to grow. When we play, we play as 23 million people, and that will become more critical as the scale of the matches grows.
13. Lastly, please consider for a moment what it will be like to contest a World Cup final. If last night was merely a Continental Final and '05 nothing more than a qualifier! This is important because, when football needs support from the Government, or in the media, you can help. Australia has never experienced anything like what is ahead of us at future World Cups and it will be a wonderful journey to find out together, as a nation.